Grace potter and the nocturnals paris live vh1

Grace potter and the nocturnals paris live vh1

The plot for Open Water is deceptively simple and yet it manages to be quite a tense little film. Made for very little money, this film not only plays off of the fear of sharks that plagues many people but also another common fear, that of the ocean. Anyone who has ever been scuba diving or even swimming in the ocean knows that as fun as it can be, you need to be careful. Tides can come in and out, currents can move and change and waves can knock you around and, yes, sometimes there are sharks. The film uses its set up fairly well and doesnt waste time getting to the meat of the story. Susan and Daniel are introduced and as we meet them we get to like them, they both seem like nice people and are obviously in love with one another. We know them just enough to care about them once they get stuck out in the sea and as such, we want them to get back to the shore alive and with all their limbs attached. The whole manner in which they wind up left alone in the sea could have been easily avoided if they or their charter had been more careful but the sad matter is that things like this can and do happen, which gives the film a sense of realism that works very well in its favor. People are lazy and make mistakes all the time without thinking about the ramifications that these mistakes can have on other people hence Susan and Daniels predicament. As the film reaches its conclusion and our two characters realize that their chances of survival are incredibly slim, they still cling to that shred of hope and try to ensure one another that theyre going to be okay. This gives a fairly chilling story a nice sense of pathos and drama that goes a long way towards humanizing the characters. The camera work employed is very effective in ramping up the tension and setting the mood and Open Water turns out to be a very well made thriller/horror picture that relies more on smarts, character development and tension than on gore or jump scares. This second film follows a different couple as they go through experiences similar to those scene in the first movie. When the picture beings, were introduced to a woman named Amy Susan May Platt, her husband James Richard Speight Jr. and their baby daughter Sarah as they decide to travel to Mexico in their yacht. Along for the ride are their friends Dan Eric Dance, Michelle Cameron Richardson, Zach Niklaus Lange and Lauren Ali Hills. Since its Dans birthday, they decide to celebrate a bit and as the drinks flow and the reminiscing begins, they slowly but surely start to drift off course. They eventually wind up out in the middle of nowhere when Michelle decides itd be a good idea to go swimming after all, the water looks great and theres no one around to bother them. Everyone jumps in except for Dan and Amy, though that doesnt last long when Dan pushes Amy overboard, this in spite of the fact that he knows shes scare of the water. This joke goes horribly wrong through when Dan falls in after her without putting the ladder down. Now the baby is all by herself on the boat, the adults have no way to get back onto the boat and theres no help around for miles and miles. Where Open Water succeeded in giving us characters we could like and hope for, Open Water 2: Adrift is hurt by an ensemble cast of obnoxious characters who more or less do themselves in. Its hard to be too sympathetic when these fools bring it upon themselves and while it would certainly be horrifying to be stuck in that sort of situation, particularly with a baby on board the boat all by her lonesome, anyone with even a shred of common sense would take steps to ensure that this chain of events simply didnt happen. There are moments of tension that works and some nice camerawork helps things here and there but if you cant like the characters or invest yourself in the premise, its not going to matter much. A sequel to the first picture in name only it was written before it was named Open Water 2 and features none of the same characters or any of the same cast members, the film builds to a tacked on ambiguous ending that doesnt do much at all to redeem this tepid picture. The AVC encoded 1080p high definition transfers for these two films are nothing to get excited about at all. The first film, presented in its original 1 widescreen aspect ratio, is incredibly soft looking and doesnt offer much of an upgrade at all.